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April 2020 Newsletter

Hello Fiber Friends,

Staying at home is not a hardship for me. It is a privilege to be guilt-free about not going to the gym, to prepare a recipe that requires many steps and prolonged stirring, to take my time making yarn wraps and planning yet another project. No anxiety about having a different WIP* at every seating area in the house plus a basket beside the bed. Anxiety about other people’s well-being? Well yes. Spending time on the internet trying to find out, what? Yes, I’m doing that too. However, there is so much being shared among the online fiber community that is sustaining, helpful, reassuring and good to read. We are among the folks who already have a handle on the power of our habits and attitudes to keep us going during uncertain times. 
​

Weaving has power! In member notes you can read an uplifting account from a third grade teacher who sent her students home from their last day at school with weaving looms and supplies. I am enchanted by the words of this wonderful teacher and her students’ embrace of weaving! I wonder if there are other teachers who could benefit from a contribution of weaving supplies for their classrooms when students are allowed to return to school. Mary Oates is using this time to research the plans for a Viking warp-weighted loom that can be used for demonstrations and events, like the community tapestries woven at the Fair and at Everson School. Three days ago I set my box of small looms supplies out on the porch, and wiped it down with disinfectant. My neighbor and her pre-teen daughter picked it up this morning, and Susan reports that Charlotte is in awe of all the supplies! They have promised to send more photos, and to help me organize weaving classes for Charlotte and her friends when we can get together again. 
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Carol’s neighbor Charlotte trying out her new “small loom.”

​Daffodils are blooming. Bird sounds are much more audible, in the relative quiet. I have started Indigo seeds in a flat on my front porch. The beets that went to seed in the raised bed last fall are sprouting on their own. The peas are up. It has been three summers since I planted Madder, and now I can dig it up! Tapestry weaver Sarah Swett blogged last year about Madder from her garden, and her tests of dried versus fresh roots (dried are supposed to be better, but the fresh gave her red yarn, giving me the inspiration to try mine out soon!) Sarah blogged more recently about her years of social isolation in remote Idaho, when shopping for groceries happened twice a year, and the internet hadn’t been invented. Joanne Hall told me about her first years in business in Montana, without even telephone service. She communicated with customers via postcard, “which worked just fine.” I do look forward to Guild meetings & programs, getting back to the Jansen Center, helping friends put warps on their looms in person, carpooling to yarn shops in Skagit County and other exotic and precious locales.  In the meantime… I am missing all of you. Be well, and we’ll be back together, with some awesome show and tell!
​
​

​​Carol Berry,
2019-2020 WWG President
*WIP: Work in Progress (which should be my middle name!)

Upcoming Guild Programs as of now

Along with everyone else, we are dealing with uncertainty in scheduling meetings and gathering together. Our planned programs for the next few months may be rearranged somewhat as we comply with travel and group gathering restrictions. We plan to stay flexible and safe.

As you all know, we missed our March meeting, and the presentation by Linda Gettmann and Isabelle Fusey on Wrapped in History. We hope to reschedule their program, perhaps in the fall. Also, we'll be rescheduling the Kay Larsen's presentation, Double Weave on Warp-Weighted Looms, originally scheduled for April.

All that said, here's what we have planned for the next few months.


A Mega Show and Tell
We had hoped that by April 18 we could get back to normal with a guild meeting where we could at least do a mega show and tell.  Looks like that's doubtful at this point, but if plans change, we'll let you know.  Also, the J has announced that it will not be taking class registrations for the time being.


From Field to Lab, Museum to Home: Care and Conservation of Textiles
Presenter: Judy Newland
When: May 16
Where: St. James Presbyterian Church
Time: Guild meeting begins at 10:00 a.m. followed by show and tell and lunch break. The program will begin at 1:00 p.m.

The textiles we love are found in archeological dig sites, conservation labs, museums and our homes. All require various types of care to maintain their integrity and tell their story. Should we conserve textiles or restore them? What’s the difference and who decides? And who should do this work? Discover some “secrets” of this fascinating field and find out how you can care for the textiles that you collect, make and hold dear.

Judy Newland recently moved to our area. During her professional career, she worked in the museum field for twenty years at a variety of university museums, including art and anthropology. She is a practicing weaver, spinner, and natural dyer, with archaeological textile fieldwork experience in Peru and special interest in indigo dye processes and cultural practices around the world.


Stash Sale and Reveal of Guild Challenge Items
Presenters: all of us
When: June 20
Where: St. James Presbyterian Church
Time: Guild meeting begins at 10:00 a.m.

This will include a reveal of the guild challenge items inspired by Linda Rees' wrappings, some review of her tapestries, along with our annual cornucopia of magazines, books, yarns, tools & equipment! The public is also invited to shop at the stash sale, supporting WWG events and programs.

History and Weaving


​In early March, we had a wonderful workshop with Laurie Duxbury on Early American Textiles. Laurie is an inspiring and encouraging instructor. Laurie's passion for weaving overlaps with her fascination with the history of her home state, Virginia. 

The round-robin workshop included: linsey-woolsey, linen napkins, cotton toweling, huck-a-buck, overshot, summer and winter, honeycomb, spot Bronson, M's and O's, and wool blanketing. These materials and weave structures were all in common use during colonial times and the early years of our nation.
​

During those times, the fabric needed to be made from available materials, to be long wearing, and to be functional. ​​​
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Samples of weaving: Clockwise from the top: Honeycomb, Overshot, Summer and Winter, Linsey-Woolsley, M’s & O’s, Spot Bronson, Huck-a-Back, Linen napkin, Cotton toweling, Blanketing.
Here are some fun factoids from Laurie:
During the 1600's in the colony of Virginia, each county was required to send two children to learn linen and hemp production.
Linsey-woolsey was often used for women's skirts, with one selvedge at the waist, the other at the hem. Pleats at the waist could be subtracted and added during and after pregnancy, and the skirts wore very well.
In the cotton textile production, an important inventor was Richard Arkwright of Britain. He was knighted for his invention of a machine that would spin cotton thread strong enough to be used as warp.
Overshot was favored by colonists as a way to use cheap commercial cotton in combination with wool, and make the wool go further.
Notation for overshot patterns was very different in colonial times than it is now. For a good "translation," see The Weaving Roses of Rhode Island, by Isadora Safner. (This book is in the guild's library.)
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Class participants (l to r): Jan Burton, instructor Laurie Duxbury, Mary Oates, Marcia Ford, Marilyn Olsen.

Member Notes
by Barbara Young

The first time I saw the Ella Rae Rustic Lace Quad yarn balls, I was intrigued. So of course I bought one – after agonizing over the lovely color choices – with absolutely no idea of what I would do with it. [photo #1] How to show off those four distinct colors? Recently, I found the notes from a Robyn Spady seminar at the 2005 ANWG conference, “There’s 2 Sides to Every Cloth,” and a plan was formed. The yarn is a blend of 75% lambs wool and 25% silk and comes in a ball of 1257 yards. One thing the label didn’t tell me was whether there were equal amounts of each color (answer: pretty much). ​
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I wanted to use the two darker (outer) colors on one side of the scarf with the lighter colors on the other which would mean winding two yarns together from opposite ends of the ball – that wouldn’t work. So I pulled the ball apart and cut at the middle color change – now I had two balls to work with. At 16 epi (each side) and an 11-inch width, warping and threading went quickly. After trying a few different weft yarns, my stash yielded a heathered blue wool from Bartlett Yarns.  ​
The zigzag twill treadling, a light beat and a single shuttle made weaving go smoothly. An occasional peek through the top layer to the other side as it wound onto the cloth beam confirmed all was going as planned. [photo #2] Wet finishing caused quite a bit of shrinkage – after hand washing, air drying and a light steam press, the 10”x 89” scarf ended up 9”x 76”. The result is a soft, lightweight scarf with lots of texture – and two very different sides.
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Community Outreach

WWG Member Carolyn Oltman shared that she has given cardboard weaving looms to a friend’s daughter, who teaches Third Grade at Happy Valley Elementary School. Here is what the teacher had to say when asked about the students response to learning about weaving in her classroom:

“There's something about weaving that's mysterious and ancient; something that calms the spirit when the world is out of place. The predictability of the pattern is soothing, grounding even, and its repetitive motion can serve as a steady heartbeat when we are in distress. This applies whether you are a hobby weaver, a professional artist, or a third grader who is looking to make sense of the world in these unpredictable times. 

The Thursday before the day it was decided that all schools would be closed for at least six weeks due to Covid-19, you could feel the unpredictability in the air--the teachers knew it, and the students knew it too. They were unnerved. As I was thinking about what I could possibly send home with my 29 3rd graders that would be calming, creative, and not technology-based (not all students have access to reliable technology and internet), I realized that weaving was the perfect project. I went to Goodwill to refresh my classroom yarn supply, organized the yarn box, and taught weaving first thing Friday morning. We learned about the history of weaving and how it is ubiquitous to nearly every culture across the globe, and saw many examples of traditional weaving styles and looms from Guatemala to China to Norway. For this project, students used simple cardboard looms, plastic weaving needles, Popsicle sticks to pop up the warp strings and make it easier to go over and under, and plastic forks to pull their stitches down and line them up nicely. Each student was sent home Friday afternoon with all of their supplies and a piece that they started in class.

Every time I teach weaving to my students, something magical happens, and this time was no different--you could have heard a pin drop if you walked past my classroom that day, save for the occasional, "This is really cool!" and, "I feel like I could do this all day!" (mind you, this is not normally a quiet group of students, so the magic of weaving is especially telling here). One student, whose greatest academic challenge is slowing down and applying himself to his work, said, "Ms. V? You know what's really cool? I just realized that when you slow down and take your time with something, it actually turns out better." 

I've heard from many grateful parents in the days since schools closed, along with photos of stuffies, pet hamsters, and displeased cats wearing little scarves and accessories that the kids have woven for them. Some have even taught their siblings to weave! During these uncertain times, it is nice to know that there is a brand-new crew of weavers out there, who are able to stay calm and weave on.


-Tara Vodopich, Happy Valley Elementary

Study and Interest Groups

Eco-Dyeing Study Group

The eco dye study group is on hiatus until things return to normal. But it is spring! Leaves are out. Things are budding. Go no further than your yard experiment. Let Dori and I know what you are doing. Any questions, you can e-mail Dori (Dori [email protected]) or me([email protected]) for help, information, or just for the fun of it. I will keep you updated about when we can meat again.
Mary Oates
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Samples of eco-dyed scarves
Tapestry Mentoring
​

By Sheila Atwater
The trial run of the Tapestry Mentoring Group was a fun and successful venture for me. I hope that the four participants would agree. For now, we will not be meeting face to face but I would like to continue to offer any assistance I can via internet. When Sharon called me about her idea of on line weave-along groups, I said yes right away. So, after thinking about this for some time, and reading two wonderful Blog Posts from Rebecca Mezoff,( see below), I developed the following project.
Our big showcase every year is the Wool Show at the NW Washington Fair. This year I had already started working on a series of small tapestries that I am calling “Faces of the Fair”. I have completed 4 animal faces and am planning a fifth. I would like you to join me with more images of your favorite things about the fair or summer activities of Whatcom County. You do not have to stick with animals either. It could be anything; food, flowers, activities, camping, beach, hiking, anything you love to do in the summer.
The individual Tapestries should be no larger than 10”x10”, must contain at least 75% wool, and be finished for hanging in a display. I would than gather these and set up a gallery display at the fair. Or you could enter them for judging as individuals. This project can be for beginners as well as long time weavers. I am being optimistic that the Fair will be on for this year.
I recommend going to the American Tapestry Alliance website and look through the “Here to There” galleries. They had a postcard project called from “Here to There” and there are 4 galleries of entries. These are wonderful examples of small (5x7) tapestries that were actually mailed as postcards. Hopefully this will inspire you with ideas.
If you are interested in participating in this project, please email me at [email protected] . I would like a list of participants ASAP. Also email me if you need any assistance or encouragement. 

Post #1: “I’m a tapestry teacher and artist and I firmly believe in the healing power of making things with our hands. Now is the time to do that. It doesn’t matter what we’re weaving for or even WHAT we’re weaving, Just that we use our energy in ways that help keep us calm and
grounded.”
​

Post #2: Okay, I will admit that tapestry weaving isn’t always relaxing. Those moments where you realize you made a significant mistake or you just can’t make the sheds work out right can be frustrating. But consider you are expanding your ability to be patient. We are all going to need that ability in vast quantities in coming months. Better start practicing now.”
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Mary Oates, Dori Painter
Marilyn Olsen, Susie Berry

Upcoming Events / Classes at the Jansen Art Center

NOTE: As of now, the Jansen Art Center will be closed until April 14.
See Jansenartcenter.org for up to date information.


In addition to offering formal classes with an instructor, the Jansen Art Center offers a wide variety of informal groups that are generally led by a coordinator, but are designed to be group experiences where those involved learn from each other. Classes and workshops held at the Jansen Art Center require that reservations and payment be made through the Jansen Art Center. (jansenartcenter.org, click on Textiles).
For spring quarter 2020:
​
As of now, the Jansen Art Center is unsure when it will be able to re-open.  When it does, we can reschedule the following:
  • Beginning Weaving with Sheri Ward ( two  4 sessions classes)
  • Felted Slippers with Donna Hunter
  • Color & Weave with Sheri Ward
  • Beginning Spinning with Chris Paul
  • SpiNit

There are also on-going study groups in felting, eco-dyeing, rag rugs, block twill towels, and a soon-to-be formed study group for double-width blankets.

Please be sure to check the website for the Jansen Art Center for any changes to the schedule.
Felting Workshops with Flóra Carlisle-Kovács, Oct. 12-16; Guild program on Oct. 17

We are excited that Flóra Carlisle-Kovács is returning to the Jansen Art Center to offer a three-day workshop on felted hats and two one-day workshops on Felted Flower Jewelry and Mosaic Scarf. Save these dates if you would like to participate! There will be a short time of restricted registration for guild members and members of the felting interest group. Stay tuned for details.

In addition, Flora will be offering the October guild program on Saturday, Oct. 17 at the Jansen Art Center. Flora plans to talk about how shrinkage works and how we can use the staple direction in order to shape a garment or object. Flora is also open to addressing other felting questions you may have.
Class Elsewhere:
Stehekin Spinning
Rendevous

This spinning event will be held June 5-8 at Stehekin Valley Ranch. Call 509-682-4677 for updates and/or reservations.

Sheltering in Place

As Carol pointed out in her message this month, there are some advantages to the obligation we all have to shelter in place.  In the unlikely event  you've now completed your entire stash of UFOs, here are some inspirations for brand new projects from some of your fellow "shelterers":  (Apparently, according to my spell check shelterers is not a word.  They suggested changing it to sweltering.  The world has obviously gone crazy.
​Any rigid heddle weavers with a stash of different yarns can use this method for some low pressure high impact weaving. This is similar to the method I’m using for my blue freeform weave shawl. Carol Berry
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Color Challenge inspiration Inkle band. Carol Berry
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Yarn wraps for cotton towels. Carol Berry
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This scarf is a multicultural inspiration. The weave is Gebroken, a fancy twill brought to the United States by German immigrants many years ago. The edge treatment is a miri border and tassels, something I learned at the workshop taught by an Indian weaver from Bhujodi, Shamji Rankar this past September . Warp: the 20/2 wool in a bright purple, Weft: 30/2 red silk.
​Sheri Ward
 This 4-yards-long card woven band was woven by Kelley Dragon.
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This woven piece is from Kelley Dragon.  It was made with24 cards, 3 colors; from John Mullarkey’s book of patterns(modified). I’m glad I have a table-top warping reel, it made the threading go much faster. This will be about 2-1/2 yards long.
This scarf by Mary Oates is now on display at the Jansen Art Center
Kathy Gayda made this positive and negative inlay.
Barb Thomas created this colorful table scarf and felted bowl.  She is also sewing medical masks for donating to the current cause
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Vicki Borja felted t his nuno scarf with white alpaca on dark green which resulted in the alpaca turning green.  It's now her St. Patrick's Day scarf.
Donna Hunter started this purse using sequined fabric. The
next gathering will be more nuno scarves followed by using sparkles in some manner.

Attention Ravelry Users. The Woven Dishtowels Ravelry Group is organizing its annual towel swap. Participants will receive notification of their swap partner around April 10 and the dishtowels will be mailed around June 10. Even if you don’t want to participate directly, previous Show & Tell threads like Swap Towels 2019 Photos have lots of photos for inspiration. If you are not currently a Ravelry user, now might be a good time to check it out.

Exhibits

The Jansen Art Center is featuring an exhibit of pieces by students and instructors in the various studios, March through April. There re some really lovely items from Ceramics, Jewelry, and of course, Textiles. The Jansen, as you know, is closed until April 14, possibly later. We have no word that the exhibit time will be extended past the end of April. If you miss the exhibit, here are some photos.
Jansen Studio Showcase Exhibit
Rug by Mary Rawlins
checked towel by Marcia Ford 
Cockeral by Sheri Ward 
​
Eco-died scarf by Mary Oates
Felted apple print by Donna Hunter, overshot scarf by Patrick Keiley 
​Blackbird 
felted piece by Brigid Wilson
Felted hats by Flora Carlisle-Kovacs
Eco-dyed and embroidered panels by Paddy Bruce
Eco-dyed panel by Dori Painter
Fall Fiber Showcase 2020
Guild members are invited to exhibit their textile creations this fall at the Fall Fiber Showcase 2020. The show will be on exhibit during the months of September through November. It will be open to all guild members, Jansen students and instructors and members of the Jansen Textile Group. This exhibit will be similar to those we’ve had in the past few years, associated with Fibers and Beyond. Be thinking about what you might want to show off in this lovely exhibit venue and stay tuned for details.

In Memoria – Michele Wipplinger

(Sent to our Guild by Karen Selk)
Every now and then someone comes along who makes a big impact on the way we think about our earth. Michele Wipplinger was one of those people. She had a passion for colour and textiles which propelled her life’s journey. She was an author, educator, master dyer, traveller, photographer, designer, consultant and business owner of Earthues, a natural dye company.

​The textile community of weavers, spinners, quilters, knitters, dyers, 
stitchers and felters was in the midst of a huge revival during the 1960s, 70s and 80s. We were experimenting with weave structures, spinning any fibre we could lay our hands on, making quilts that hung on the wall, felted funky hats and experimented with dyeing all of that cloth, yarn and fibre with chemical and natural dyes. The few natural dye books available instructed us on using flowers, roots and bugs to colour our cloth with the help of mordants. Most of those mordants were heavy metals that were bad for the environment and our health.
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Michele was a pioneer, looking for another way to make natural dyes colourfast using non-toxic natural ingredients. The search for traditional methods used by other cultures took her on a quest for many years through Europe, Southeast Asia, South Asia, South America, Africa and Central Asia.

She shared her findings and recipes with the textile community through workshops, presentations and her publications:
Color Trends and Natural Dyes for Artisans of the Americas and notebooks that accompanied her workshops. But Michele was not content with such a small, captive audience.

She became a board member for the Color Marketing Group and helped companies like Aveda, Origins, Esprit, Martha Stewart Living, Terre
Vede, LL Bean, and Nature Conservancy, develop products that could bring awareness of the value of natural colours to a larger world.

Michele’s vast knowledge and sense of
colour was sought out by government and non-government agencies for the development of naturally dyed products throughout the world. She worked with: Organization for American States, Aid to Artisans, DOBAG in Turkey, USAID, and UNESCO to help develop repeatable, sustainable eco-methods for creating beautiful colours for cottage industries, textile cooperatives and small companies.

In 1995 she won the United Nation’s Fashion Industry and Environmental Award
for environmental stewardship on the development of an ecological natural dye process for the American textile industry.

Michele’s passion for tinting the world with natural
colour has touched so many lives throughout the world with her enthusiasm and heartfelt connection to the people she taught and learned from. He husband, Andro, continues her legacy through Earthues, a business working in partnership with artisans to fulfill their dreams. Michele Wipplinger has left us with an example of an active, purposeful life, full of curiosity, creativity, warmth, and joy. We could best honor her life by following her lead.

A
memorial is currently planned for May 9 at Sunset Hill Community Centre, 3003 NW 66th Street, Seattle, WA – Arrival 1pm, Service 2pm, Reception 3pm.

Announcements

​New Newsletter Editor Elected

Guild member Marilyn Olsen is now the editor of the newsletter. She joined the Guild after moving from Indianapolis, Indiana in 2004, retiring from a career in public relations, marketing and publishing. You can see that we have now created a slightly new format for the newsletter and welcome your input. ([email protected])


Have something to add to the newsletter?
​

 Whatcom Weavers Guild Newsletter welcomes news about textile related activities.  We do not accept commercial advertisements of goods or services.
Please e-mail your submission to:  [email protected].
Your submission should include: title of event (e.g Eco Dyeing Workshop), name of Instructor or group leader (e.g. Donna Hunter), and location, time and cost (if any).  It may also be helpful to give directions to the location.
If you are including any photos, they must be attached to the e-mail and be in JPG format. (Do not embed the photo in the email.)
Deadline for submissions is the 25th of the previous month.  (e.g. deadline for March would be February 25).
We do not charge for listing sale of weaving or spinning equipment.  Please see the listing in this issue for an example.  Your ad will run for 60 days.  

Guild Library Contents now online

Dori Painter, the Guild’s librarian is pleased to announce that the entire library inventory can now be viewed online (click here to see the inventory). The magazines and other resources are now also being uploaded to the site.

Video You Might Enjoy

Activities and Schedules of other Organizations

Due to the uncertainty around us regarding how and when organizations may again begin meeting and/or holding events, we are not able to provide updated information. Below is contact information for many of these groups in our area.

Olympiaweaversguild.org
Whidbeyweaversguild.org
Liz Moncrief, www.aweaversway.com
Skagitcountyweaversguild.org
Spindrifters: Contact Kelley Dragon ([email protected]) 
Stehekin Spinning Rendezvous

For more information about the Stehekin Spinning Rendezvous call 509-682-4677 or visit stehekinvalleyranch.com.
News From ANWG
​

The Whatcom Weavers Guild is a member of ANWG, the Association of Northwest Weavers Guilds. This organization is an association of fiber arts guilds located throughout the Pacific Northwest United States and Canada. ANWG provides support and information to its members. It also sponsors an association-wide conference every two years. The Whatcom Weavers Guild partnered with the Seattle Guild to plan the conference held at Western Washington University in 2013.
Each guild is encouraged to designate a Guild member to attend ANWG meetings and keep member Guilds up to date on ANWG activities. Susan Torntore is our guild’s representative.
The next ANWG conference (Fiber Connections) will be held at Wilamette University in Salem, Oregon, June 7-12, 2021.

Challenge Project

ANWG also offers its members the opportunity to be a part of challenge project. For this conference, the challenge will be based on the work of American fashion designer Bonnie Cashin. The challenge will involve the creation of a NOH Coat which was one of her iconic designs from the 1950s – 1970s and was featured in a 1990 edition of Threads Magazine.
For further details on this challenge, contact Susan Torntore ([email protected])

Classified Ads

We will resume publishing classified ads as soon as it is again safe to be up, around and in each other's homes to buy looms and supplies.
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